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Associate Professor of Art (2006) and
Director of Payne Gallery (1999)
- Ph.D. Harvard University, 1993
- M.A. Hunter College/CUNY, 1976
- B.A. University of Illinois, 1969
In the academic year 2013-14:
- September 10
Book launch at Rizzoli Bookstore, New York City, for Paula Modersohn-Becker: The First Modern Woman Artist (Yale University Press, 2013), by Diane Radycki.
- October 30
Lecture at the University of Notre Dame, at the invitation of the Department of German and Russian Languages and Literature, on the life and work of Paula Modersohn (1876-1907), the pioneering artist who challenged traditional representations of the female body in art.
- November 9
Presentation at the fourth annual Feminist Art History Conference, American University, Washington, D.C., of a paper entitled “The Woman Genius and High Modernism: Virginia Woolf, Paula Modersohn-Becker, and To the Lighthouse.”
- Spring 2014
James Stewart Guest Lecturer at Ohio Wesleyan University, Delaware, Ohio, at the invitation of the Fine Arts Department.
- April 9
Panel discussion, part of the program series “An Art Book,” at the New York Public Library: On the anniversary of the publication of Paula Modersohn-Becker: The First Modern Woman Artist by Diane Radycki, the author is joined by a critic (John Colapinto, The New Yorker), a scholar (Alessandra Comini, National Book Award nominee for Egon Schiele’s Portraits), a museum professional (Susanne Gerlach, Böttcherstrasse GmbH/Paula Modersohn-Becker Museum), and an artist (TBA) in a discussion about the book and its deliberately provocative sub-title.
Areas of Research and/or Expertise
Late 19th- and early 20th-century art. Dr. Radycki is the author of Paula Modersohn-Becker: The First Modern Woman Artist (Yale University Press, 2013).
Dr. Diane Radycki is an art historian (Ph.D. Harvard University, 1993) who specializes in the art of the nineteenth and twentieth centuries. Her scholarship focuses on the work of women artists in this period.
As an associate professor in the Art Department, Dr. Radycki leads the art history track. She teaches all levels of art history, including surveys to and from the Renaissance as well as art history methodology, criticism, and exhibition practice.
As director of the college’s Payne Gallery, she oversees a permanent collection of 19th- and early 20th-century art, as well as a program of rotating exhibitions. The permanent collection of Payne Gallery concentrates on American art, with special emphasis on Pennsylvania Impressionism and the artists of the New Hope Circle.
Important institutional lenders to Payne Gallery exhibitions include the Metropolitan Museum of Art, the National Gallery of Art (Washington, D.C.), the Smithsonian Institution, and the Jewish Museum in Prague. In 2011-12 the gallery secured a gift of three monumental bronze sculptures by the nationally recognized sculptor Steve Tobin, which were installed on both campuses of Moravian College.
A recipient of Fulbright and AAUW (American Association of University Women) fellowships, she was awarded a Millard Meiss Publication Fund grant by the College Art Association for the monograph Paula Modersohn-Becker: The First Modern Woman Artist (Yale University Press, 2013).
Selected Reviews of Paula Modersohn-Becker: The First Modern Woman Artist:
- The New Yorker (interview posted on Page-Turner), October 30, 2013.
- Huffington Post (featured article on Huffpost Arts & Culture), October 20, 2013.
- Inside Moravian (interview), October 2, 2013.
- Choice, October 2013, p. 551.
- The Art Newspaper, September 2013, p. 60.
- London Review of Books, August 8, 2013, pp. 16-7.
[“I loved reviewing your book.” Mary Ann Caws to the author, August 20, 2013]
- Art New England, July/August 2013, p. 20.
- Yale University Press Log (conversation with the author), June 21, 2013.
- Library Journal (starred review), June 2013, p. 106.
- Le Monde, France (review posted on Moderne), April 10, 2013.
In 2009 Dr. Radycki chaired the session “Paula Modersohn-Becker: Art, Risk, and Fame” at the College Art Association Conference in Los Angeles. She has also presented papers at other meetings of CAA, as well as at the Association of Art Historians (Great Britain); Zentralinstitut für Kunstgeschichte (Munich); Feminist Art History Conference (Washington D.C.); Northeast Modern Language Association; German Studies Association; International Association for Philosophy and Literature (Strasbourg); Berkshire Conference on the History of Women; and the Second World Conference of the United Nations Decade for Women (Copenhagen).
Previous to her academic career, Dr. Radycki worked for the New York City Department of Cultural Affairs and Parke-Bernet’s Auction Magazine.
- “Töchter of Feminism: Germany and the Modern Woman Artist,” Historically Speaking, forthcoming.
- “Worpswede: Idyll and After: Creativity and Partnership in the Early Twentieth Century” in: Breaking New Ground in Art History: A Festschrift in Honor of Alicia Craig Faxon (New Academia Publishing, forthcoming).
- Paula Modersohn-Becker: The First Modern Woman Artist (Yale University Press, 2013).
- “Pictures of Flesh: Modersohn-Becker and the Nude,” Woman’s Art Journal, Fall/Winter 2009.
- “American Women Artists in Munich, or Die Frauen ohne Schatten” in: Artistic Migration and Cultural Exchange Processes (Deutscher Kunstverlag, 2009).
- “Pretty/Ugly,” Make (London), Nov. 1996.
- Lucy Lippard, et al., Voices of Women: Critics, Poets, Artists (Midmarch Arts Press, 1990 reprint).
- “Jahrhundertwende” in: Deutsche Kunst des 20. Jahrhunderts (Busch-Reisinger Museum, 1982).
- “The Life of Lady Art Students: Changing Art Education at the Turn of the Century,” Art Journal, Spring 1982.
- Translator and editor, The Letters and Journals of Paula Modersohn-Becker (Scarecrow Press, 1980).